![]() Ī demonstration of the drying powers of the Suna Suna no Mi.īesides basic elemental control, the fruit exhibits a unique ancillary ability: namely liquid absorption, allowing the user to dehydrate anything they touch and even extend said effect to their immediate surroundings, drying up vast areas of land like a drought. ![]() These techniques are further strengthened in power and range in a desert setting, where sand is abundant and can blend itself with the user's own sand to increase the scope of attacks. Creating sand also grants the user various offensive capabilities the user can create blades of sand in multiple shapes and sizes, large sandstorms that can travel great distances, and even vortexes that trap their opponents and pull them underground. Once transformed into their element, the user can let physical attacks (without Busoshoku Haki) and non- Seastone projectiles pass through their body to prevent harm (like most Logias), or fly by morphing their lower body into jets of flowing sand, offering them a massive advantage in defense and mobility amid combat or pursuit. This fruit's power allows its user to transform their bodies into sand, as well as create and control sand in large quantities. Strengths and Weaknesses Strengths Ĭrocodile letting enemy attacks pass through his sand body. The right side of the stem is longer and curls slightly. It also has a green T-shaped stem protruding out the fruit's top. The fruit has the typical swirl pattern on it. The Suna Suna no Mi resembles a spherical tan barrel cactus with two stubby arms pointing upwards. In the VIZ manga, 4Kids and Funimation dubs, it is called the Sand-Sand Fruit.It’s a cheap and effective way to support the blog and the work I put in it without being forced to any monthly subscription of sort. If you liked the article you might consider tipping me a coffee on my ko-fi page. In this context, the lullaby, told by a traveler (a man, just like everyone else) lingers through song, with the rhythm similar to the flowing of the sand in the wind: it speaks of the destiny of man in a way which seems like a curse, but also a lullaby to teach us that even suffering is something transitory just like our lives. The song evokes the scenery of the desert, where the association with the sand is linked to the passing of time (because it looks like the sand flowing down in the hourglass) and the flowing of human existence through it. **= the verb here has a lot of meaning such as “embracing” but also “bearing (a weight, a grudge)” so I translated the sentence according to my interpretation: the weight is actually the one of being human, is the “karma” mentioned before in the song. *= the meaning is that an oath such “we’ll meet again” sets not only just a time, but also a direction of one’s life, just like a compass. ![]() There’s nothing to protect it in our existence.Ī way of life of enduring, enduring only, There are also time in which we feel lost, hesitating, We mock it since it is a prediction from palm reading,īut it is also the lullaby we used to hum.Įmbracing, embracing, bearing a weight in all its weight **, We started moving way back to the origins Putting strong roots in the world of seasonsĪn oath is like a compass setting the time *. Preaching, preaching and then taking over,Ĭrossing over, crossing over and going on once again, Many many years ago, in the lands of Japan,įeeling sick, feeling sick yet getting up, Desires… all of this is a kaleidoscope in which the time has kept passing by.
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